22/01/2016

Here’s your guide to three hot January shows:

You, Me and the Apocalypse

The premise in about 100 words:

Religious themes:

Um … the apocalypse! And with it, all of the philosophical questions The End forces us to confront: What is the meaning of life? Is there life after death? Is God watching? Beyond that, though, the show’s most significant religious explorations come from Sister Celine and Father Jude, who are tasked with investigating the biblical prophecies surrounding the end times, including the identities of false messiahs and perhaps an antichrist. Father Jude is an unlikely priest — he drinks and swears and seems to want to have a lot of sex before the world ends — but he seems to have genuine faith somewhere under all that smarm.

Mercy Street

The premise in about 100 words:

Two nurses care for wounded soldiers in Mansion House, a luxury hotel in Alexandria, Va., that has been turned into a hospital at the start of the Civil War. Mary (Mary Elizabeth Winstead), a New England abolitionist, and Emma (Hannah James), the daughter of the Confederate hotel owner, butt heads as they try to balance their medical duties with their dueling allegiances. Both women are further troubled as they try to make their way through a man’s world, headed by Dr. Byron Hale (Broadway’s Norbert Leo Butz). A moving subplot features Samuel Diggs (McKinley Belcher), a free black man who knows medicine but needs to keep that secret. Premiered Jan. 17 on PBS.

Religious themes:

The key to the show is found in the title: mercy. As one character explains in the first episode, all who arrive at Mansion House receive treatment. No questions asked. The location of Mansion House, in a Union-occupied Southern town, only highlights, if at times strains, the grace the characters offer and experience. Given that this is a Civil War-period drama, biblical allusions and religious sensibilities are often on display. One of the more interesting characters is Chaplain Hopkins (Luke Macfarlane), who, in spite of the mysteries he hides, reminds workers and patients that God does not see uniforms.

Source: Charisma News

14/01/2016

Josh Radnor stars in “Mercy Street,” a new Civil War-era drama from PBS. (Antony Platt/PBS)

The slight sense of longing that runs through the six episodes of PBS’s utterly average Civil War drama “Mercy Street” is not about the characters’ wants and desires or the ample metaphors evident in a tale of disunion. All a viewer can feel here is that PBS wants to be dealt into the high-stakes game of Peak TV, but on its own terms.

Continue reading PBS wants its own hit drama, but ‘Mercy Street’ lacks more than just a British accent